My approach to reconstruction

There are several ways to approach the reconstruction of a wallpaper or textile. I have three perspectives within which I classify a reconstruction.

Facimile:
An exact replica of the original wallpaper or textile is created. The paper type, inks and dyes, yarns and weaves, all mirror those of the original.
This approach raises several questions. Often, not only must the product itself be reproduced, but the production tools—such as a printing block or warp—must also be recreated beforehand. Consequently, producing a facsimile requires extensive research before actual production can begin, and the associated costs are substantial. 

Replica:
In the case of a replica, the original product is reproduced using techniques and materials available to us today.
While this process may deviate from the original methods and materials, the aim is to achieve a result that is as exact as possible. Color, texture, sheen, and material must approximate the original as closely as possible.
It is a good solution when the historical machinery or raw materials are no longer available or no longer meet modern standards.

Reproduction:
A reproduction is a faithful copy that closely resembles the appearance of the original product, even though the production method differs from the original.
This approach may be chosen because the original production technique is no longer available or because the technique to be replicated is too complex to be financially viable.
Digital reproduction is often selected in such cases, allowing a space to regain its original appearance without requiring a large budget.
Moreover, this solution offers educational and informational value and is particularly well-suited for public spaces. Digital images of the original wallpaper and the digital restoration that follows, also serve as a valuable source of information for potential future reconstructions. Furthermore, limited-edition reprints can be produced at any time should damage occur.

Wallpaper sample analysis

Recognizing a technique does not mean one can reproduce it. From (wall)paper left overs on a wall I determine the order of the decoration steps.
Very often a combination of techniques was used to achieve the end result. Making it a very fascinating study!

My analysis also include the research for the colours used during each step and thus appointing colour and layer to each other. This reconstituted pallet is then transformed into usable inks and is the starting point of a reconstruction sample.

The information I unravel from the analysis also helps to determine an approximate production date and gives us a view of the labour involved in making these products.